Skip to main content
Side panel
Home
All Modules
Help
Raise a Ticket
User Guides
More
Search
Close
Search
Toggle search input
You are currently using guest access
Log in
Expand all
Collapse all
Open course index
Open block drawer
FLM6210 - Cinemas in Contemporary China - 2022/23
Module
Assessment
More
Topic
Name
Description
Module Handbook
Sample group project on film curation 01
Sample group project on film curation 02
Week 1: Introduction and A Brief History of Chinese Cinemas
Reading: World cinema, third cinema
“‘Return to Dust’ Review: A Compassionate but Cautious Chinese Drama of Rural Lives Ennobled by Sacrifice”
Additional reading: Zhang, Zhen. An Amorous History of the Silver Screen: The Actress As Vernacular Embodiment in Early Chinese Film Culture, Camera Obscura, 48 (Volume 16, Number 3), 2001, pp. 228-263.
Additional reading: A companion to Chinese cinema
Please read:
Chapter
2 Transplanting Melodrama: Observations on the Emergence of Early Chinese Narrative Film
Chapter
3 Artists, Cadres, and Audiences: Chinese Socialist Cinema, 1949–1978
Chapter
5 Hong Kong Cinema Before 1980
The e-book is available through QM library database.
Lecture 1 ppt
Week 2: 28 Jan Generational filmmakers, world cinema and global auteurs 1
Reading:. ‘The Global Author: Control, Creative Constraints and Performative Self Contradiction’
Reading: An interview with Zhang Yimou
“China on the set with Zhang Yimou” in Sight & Sound
PDF “China on the set with Zhang Yimou” in Sight & Sound. 01
PDF “China on the set with Zhang Yimou” in Sight & Sound 02
Week 2 Lecture PPT
Week 3: 4 Feb Generational filmmakers, world cinema and global auteurs 2
The Urban Generation Chinese Cinema (Whole Book))
link to Jia Zhangke Masterclass
Week 3 Lecture PPT
Week 4: Local blockbusters, national sentiments and identities
Re nationalizing China s film industry case study on the China Film Group and film marketization
Reading: "Travel Down Memory Lane: Nostalgia and Nostophobia in Youth (2017)" by Zhu Yin
Reading:Zhu, Ying. “New Year Film as Chinese Blockbuster: From Feng Xiaogang’s Contemporary Urban Comedy to Zhang Yimou’s Period Drama”
Film And Society In China - the logic of the market
The malling of the movies Film exhibition reforms multiplexes and film consumption in the new millennium in urban China
Week 4 lecture PPT
Week 5: Independent Documentary I: personal filmmaking
Yu, Kiki Tianqi. “Nostalgia toward Laojia: Old Home as an Imagined Past”
Link to film: Nostalgia
Lecture 5 ppt
Week 6: independent documentary II: modes of productions
Reading: Three modes of creative documentary production
Reading: post-1990 Documentary: Reconfiguring Independence (Whole Book, please read the Introduction))
Week 8: Women’s cinema and the rise of arthouse cinema
Women's cinema PPT
Reading
Lecture PPT women's cinema
Week 10: Transnational Chinese cinema and co-productions
Reading: Berry, C. (2010), ‘What is transnational cinema? Thinking from the Chinese situation’ in Transnational Cinemas
Reading: Weiying Peng & Michael Keane (2019) China’s soft power conundrum, film coproduction, and visions of shared prosperity
Lecture PPT week 10
Week 11: Ethnic minority cinema & artist moving image
Reading:“Contested Tibetan landscapes in the films of Pema Tseden”
Reading: Pema Tseden and the Tibetan road movie space and identity beyond the minority nationality film
Link to the film Tharlo
lecuture ppt
Loading...
All Modules
Help
Raise a Ticket
User Guides
Home
Calendar