This module explores how race is performed in theatre, art, and popular culture. Of particular interest are performances that trouble how we think or talk about race, especially as it intersects with other identity categories like gender, class, sexuality and disability. Why are race and structural racism such difficult topics to discuss, especially in the context of performance? What does it mean to label a performance racist, and how can we as artists develop anti-racist performance practices? The topics this seminar covers could include histories of blackface minstrelsy, debates over "colour-blind" casting, the politics of cultural appropriation in pop culture for example.
To prepare for this module, I highly recommend you read Harvey Young's Theatre & Race. We will refer to this book throughout the semester but it will provide a good orientation to the module aims and themes. It can be purchased online from most sellers for £6.99.
Full details of what to prepare for the first class will be made available in January.