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ESH6065

Romantic Women Writers

Level 6 (30 credits)

This module explores the position of the female author in the Romantic period. By the end of the eighteenth century, the increasing participation of women in the literary marketplace had brought both new opportunities and, for some, a heightened awareness of the constraints imposed by a male-dominated culture. Studying works by Jane Austen, Anna Barbauld, the gothic novelist Ann Radcliffe, Mary Wollstonecraft and others, this module will examine how women writers responded to these challenges and helped to shape the literary culture of Romanticism. The module will address key topics such as the rights of woman, education, the literary marketplace, the cultural construction of femininity, women and contemporary politics, and relationships between gender and genre. While concerned with the historical conditions that influenced Romantic women's writing, the module will also consider a variety of critical approaches, such as feminist, psychoanalytic and post-colonial perspectives.

Preparing for this Module and Approximate Costs

You will be asked to acquire the following books for this module:

- Ann Radcliffe, A Sicilian Romance, ed. Alison Milbank (Oxford World's Classics, 1993).

- Elizabeth Inchbald, A Simple Story, ed. J.M.S. Tompkins (Oxford World's Classics, 2009)

- Mary Wollstonecraft, Letters Written During a Short Residence in Sweden, Norway and Denmark, ed. Tone Brekke and Jon Mee (Oxford World's Classics, 2009)

- Jane Austen, Persuasion, ed. Gillian Beer (Penguin, 1998) - one of several good editions.

- Maria Edgeworth, Castle Rackrent, ed. George Watson (Oxford World's Classics, 2008)

Starting on any of these would be good preparation. Critical reading might begin with

- Mary Poovey, The Proper Lady and the Woman Writer: Ideology as Style in the Works of Mary Wollstonecraft, Mary Shelley, and Jane Austen (Chicago, 1984), copies in QM Library (PR469.W65 POO) or online here: https://archive.org/details/properladywomanw0000poov 

- Anne K. Mellor, 'Gender Boundaries', in The Oxford Handbook of British Romanticism, ed. David Duff (2018),  chapter 13 - QM Library, PR447 OXF. 

Primary texts, some of them listed under 'preparation', are likely to cost under £40 in total. Note that these costs can often be reduced by purchasing items second-hand (e.g. via Abebooks) or borrowing them from the library. If an in-person field trip goes ahead, the additional cost may be a return tube/bus fare.

 
Why take
Romantic Women Writers
?

  • The module creates a path through the great variety of literature produced by women in a time of revolution and social upheaval.
  • Our intensive programme of seminars and workshops will enable you to work out your own approach to topics such as Romantic travel; reflections on nature in poetry and prose; 'propriety' and societal expectations of women; and gothic suspense fiction.
  • We will investigate how modern feminism began.
Learning Context Long Seminar + Workshop (or equivalent)
Semester One or Two
Assessment
  1. Written Assignment (1500 words), 30%
  2. Participation, 10%
  3. Written Assignment (3500 words), 60%
Mode of reassessment Standard
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