‘Gender and Vision in Victorian Poetry’ examines a variety of different approaches to the visual, aesthetics, gender, and sexuality in Victorian poetry. It explores connections between these areas and their significance to ideas of the poet and poetry in the Victorian period. The course focuses on major male and female poets of the period – Tennyson, Browning, Barrett Browning, Swinburne, Christina Rossetti, Dante Gabriel Rossetti and Thomas Hardy – but it also examines poems by less well-known figures such as Augusta Webster, May Probyn and Amy Levy. Related prose writings by John Stuart Mill, John Ruskin, Florence Nightingale, Sarah Stickney Ellis, and the poets themselves are also included, and are provided in extract form in the modulepack or on QMplus. Subjects for exploration include Victorian poets’ treatment of the epipsyche (the beloved as reflection of the self), the feminisation of the nineteenth-century male poet, ideas and images of the female artist, and the significance of the figure of the ‘fallen woman’.